December Variables of Rejection
Tales of a Stitcher-December 2023 The Variables of Rejection
Shelter in Place 2022 66W X 49H

Shelter in Place 2022 66W X 49H

Artist Statement—Like everyone else, I was immobilized by the Covid Crisis. I spent the first few months collecting data, trying to get my head around what was happening, and why. It all seemed so senseless and out of control. I live in Alaska, so everything always seems far away—and it is! It felt surreal to watch my tv and see entire communities locked down, confined to their housing space with no recourse. It made me very grateful for the wide open spaces of our community. Thank goodness for green belts, parks, and trails!

I entered five quilts into QuiltCon. Three were accepted and two were rejected. Shelter in Place was one of the rejected quilts. 

CONGRATULATIONS to the makers of the 470 quilts that were juried into QuiltCon 2024! One of the best feelings in the world is to walk through a show and see your work hanging in front of everyone.

For those of you who did not get a quilt into the show. IT IS OKAY! There were 2,342 quilts submitted. Can you imagine what it would take to select 470 quilts from this deluge of patchwork? Let’s break this situation down into bite size chunks.

What if your quilt met all of the general stipulations but is still rejected? These general stipulations—great photography, selecting the proper category for your quilt, and submitting well crafted and designed work— are non-negotiable and are usually within your control. 

So, if you succeeded in producing a quilt that meets the above criteria, you probably made it to the second round of consideration—YES! There are multiple rounds to this decision making process.

Now for the variables that we cannot control. Here are a few.

—Judge’s Preferences. I am a piecer. I am a maximalist, and I adore traditional quilt blocks. If I were part of the team selecting this year’s quilts, those would be my biases. We all have them. This is not to say that I am incapable of loving an applique quilt. It is to say that my general love and KNOWLEDGE of piece work, may affect my decisions. 

—How crowded is the field? If you enter the Improv category, your work will be up against many amazing quilts. Each category needs to have roughly the same number of entries exhibited. Some categories are more competitive than others for this reason.

—Is your work OUT THERE beyond the realm of what is considered Modern? Sometimes, we are ahead or behind our time. Let’s call this the Independent Drummer Syndrome.You may be creating great work, but if it is not in sync with whatever is considered fresh and currently topical, your quilt is not going to get in the show. If this is you, my advice is to keep banging your drum. The only reason not to do this is when your rejections are about craft—always strive to create beautifully executed quilts.

—Who else entered? Did your quilt end up in a category filled with All Stars? We don’t know, but the quality of your competition can affect your chances of getting in.

—It is a Crapshoot. Entering a quilt show is very much like playing a game of chance. Those who like to gamble enter their best work and understand that the rejection is not about them or even really about the quilt as a stand alone entity. It is about all the variables. To prove this point, I invite you to visit the hashtag #quiltconreject. At this moment there are 2,777 quilts shared from past and present QuiltCon applications. That is almost the same number of quilts reviewed to create the 2024 QuiltCon show!

Entering shows and showing your work is about joining the larger conversation about what is being created and shown in contemporary quilt making NOW. In order to be part of this larger conversation, it is best if you are okay with rejection. Those of you who struggle with rejection may decide not to play. I call that REJECTING YOURSELF before anyone else can.

If you don't want to experience the emotions you feel when you are rejected, there are other ways to share your work. On Instagram, locally, in non-juried shows, in non-quilt venues. But please DON’T REJECT YOURSELF. Find other ways to share your work that feel right for you.

As I am writing this, I keep writing YOU instead of YOUR QUILT. Which is really what is at the heart of this matter. We feel that a rejection of our work is really a rejection of our creative selves and that hurts BIG TIME. Many of my students have heard me say this, but it is worth repeating. 

It is not how you fall down, it is how you get up.

If you like thinking about this sort of thing, I have written a series of blog posts about this topic. Here are the names and links.

Juried Shows—The Process

A Gambler’s Story

The Year of the Show 

More Talk about Shows

Show Your Work

PUBLIC SERVICE ANNOUNCEMENTS
Join me next week for TWO Instagram LIVE events. To join, go to @mariashellquilts at the scheduled time and click the LIVE button to join.

Amazing Cultural Tours
(I will be speaking with Rita Lazamska about my upcoming Textile Tour in Morocco!)
Tuesday, December 12
6PM East Coast Time

Rip it UP!
Sarah Bond, Cindy Grisdela and I are hanging out together again and we will be talking about finishing techniques.
Wednesday, December 13
4PM East Coast Time

Stitching Towards Discovery
The six month long workshop Stitching Towards Discovery still has space. Come join me for a transformation experience—take your quilting to the next level by committing to doing the work for six months. 

STUDIO SNAPSHOT
I have been experimenting with a technique I call sharding. It is an evolution of the braided curve which allows you to expand your curve lengthwise.

 

Still Stitching in the Dark.

Maria

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